WALLArchitectural wall production
Feature walls, corridors, reception areas and long-form graphics produced directly onto approved wall surfaces.
Pingendi combines high-definition digital imaging, CMYK + white ink, LED-UV curing and controlled positioning to produce approved artwork directly onto suitable walls, floors and selected rigid surfaces.
Our professional direct-to-surface UV platform is built around Epson I3200(8)-S1HD printhead technology. Artwork, pass strategy, white-ink use, surface distance and curing are configured around the finish required for the real project.

The machine is only one part of the result. Quality comes from the relationship between digital files, ink, positioning, curing, surface condition and site setup.
Approved artwork is prepared at the correct scale, resolution and colour strategy for the viewing distance and surface.
White ink can support opacity, under-colour and selected work on dark or transparent materials where the surface is suitable.
Controlled travel and surface-distance setup help maintain a consistent relationship between the print system and the real substrate.
Ink is cured during production, allowing the printed surface to move quickly into normal project handover subject to the application.
Detail, coverage, texture and white-ink requirements influence the production mode and time required for the chosen finish.
Digital artwork can be scaled and coordinated across rooms, walls, floors and multiple locations with a consistent visual language.
Walls, floors and rigid pieces do not behave the same way. Pingendi changes the production method around the surface while keeping the artwork, colour and project direction coordinated.
WALLFeature walls, corridors, reception areas and long-form graphics produced directly onto approved wall surfaces.
FLOORWayfinding, campaigns, learning environments and decorative floor applications, subject to surface and use assessment.
WHITE + RIGIDWhite-ink strategies and off-wall production extend the system to suitable dark, transparent and rigid applications after testing.
There is no single production setting for every wall or floor. The right configuration depends on the artwork, material, environment and required result.
Fine type, gradients, photographic detail and solid fields can require different production choices.
Smooth, porous, textured and coated surfaces interact differently with ink and positioning.
The amount and role of white ink can affect opacity, colour appearance, passes and production time.
Access, wall geometry, temperature, moisture, traffic and environmental exposure all matter to setup.
The aim is not to showcase a printer. It is to make the artwork feel intentional in the finished space — with scale, colour, position and surface response working together.
View the visual library

We do not assume that every material or site should be printed the same way. Pingendi assesses surface condition, preparation, access, environment and intended use before confirming the production setup.
A photo, dimensions and a short brief are enough to begin a technical and visual direction.